Covet and Wane
Goodnight sun, goodnight moon-
you know you love the day,
as much as you covet the night.
And one comes after the other,
regardless of which you love,
so have both- wax and wane with each.
Matthew Koutzun
Friday, June 29, 2007
Monday, June 18, 2007
1907-2007
1907-2007
I am here
inside, before my time they call us,
since we don't seem real yet even though
we've lived nine months.
Life not counted until breath.
I'm here,
the school
my first.
Nerves that I can't stand
standing on end
be cajoled by all my siblings-
younger-
pushing me out the door.
I am here,
at home,
they've denied me to walk 4 miles to school.
I walk them on the field as I watch
smaller footsteps to move foward.
I am here,
Mother is crying
and Father is silent,
water spilled on the ground,
and one of us gone,
we leave in the morning.
I am here
they haven't sent me on the berg yet.
They told me that's where grandma would go
before she died
now that we moved to Canada-
Years I was scared into believing.
I am here
Believing and crying
and crying to believe,
and we went to the place
where the believers cry
and believe.
And we travelled home from that place
it was Easter.
Blood in mouth,
on my dress,
it made me dizzy,
the body: dough-
never helped.
I am as I lay,
the last. Years from then
and on the berg I pass.
And hand from hand I'm carried,
a wave like wave
to the boat home.
I am home,
Home was a boat across the ocean I once believed.
But a hundred years later.
Home only means
up.
Matthew Koutzun
I am here
inside, before my time they call us,
since we don't seem real yet even though
we've lived nine months.
Life not counted until breath.
I'm here,
the school
my first.
Nerves that I can't stand
standing on end
be cajoled by all my siblings-
younger-
pushing me out the door.
I am here,
at home,
they've denied me to walk 4 miles to school.
I walk them on the field as I watch
smaller footsteps to move foward.
I am here,
Mother is crying
and Father is silent,
water spilled on the ground,
and one of us gone,
we leave in the morning.
I am here
they haven't sent me on the berg yet.
They told me that's where grandma would go
before she died
now that we moved to Canada-
Years I was scared into believing.
I am here
Believing and crying
and crying to believe,
and we went to the place
where the believers cry
and believe.
And we travelled home from that place
it was Easter.
Blood in mouth,
on my dress,
it made me dizzy,
the body: dough-
never helped.
I am as I lay,
the last. Years from then
and on the berg I pass.
And hand from hand I'm carried,
a wave like wave
to the boat home.
I am home,
Home was a boat across the ocean I once believed.
But a hundred years later.
Home only means
up.
Matthew Koutzun
Saturday, June 16, 2007
Where?
Where?
Did you disappear?
On plane, by car?
By some comment made from afar?
There is such thing as happenstance
and that of plutonic romance.
So give a fuckup a chance?
Matthew Koutzun
Did you disappear?
On plane, by car?
By some comment made from afar?
There is such thing as happenstance
and that of plutonic romance.
So give a fuckup a chance?
Matthew Koutzun
Tuesday, June 05, 2007
When They Broke the Chick's Egg, A Mirror to Hold
When They Broke the Chick's Egg,
A Mirror to Hold
Looking at myself in the mirror
I see myself younger than I really am.
Soft brown hair,
falling finely on soft brow,
over shallow deep eyes,
that have seen nothing, but much.
Two lips, the bottoms full from biting,
the top thin from inexperience,
although never lacking.
Light bleached skin,
touched only by flouresants,
and high cheeks of expectancy.
I rush to my bed and hide under the covers.
I want to be 16 again,
and feel nothing- over or around me.
I throw the sheets off of me to relinquish the feeling,
and then smuggle them back on
for the security and fear I find underneath.
And they come for me calling,
"come back,
no fear- no foul to be had hiding."
I peek at monsters run amuck
and know I'll join them soon;
eventually.
-Matthew Koutzun
A Mirror to Hold
Looking at myself in the mirror
I see myself younger than I really am.
Soft brown hair,
falling finely on soft brow,
over shallow deep eyes,
that have seen nothing, but much.
Two lips, the bottoms full from biting,
the top thin from inexperience,
although never lacking.
Light bleached skin,
touched only by flouresants,
and high cheeks of expectancy.
I rush to my bed and hide under the covers.
I want to be 16 again,
and feel nothing- over or around me.
I throw the sheets off of me to relinquish the feeling,
and then smuggle them back on
for the security and fear I find underneath.
And they come for me calling,
"come back,
no fear- no foul to be had hiding."
I peek at monsters run amuck
and know I'll join them soon;
eventually.
-Matthew Koutzun
Sunday, June 03, 2007
Taking Seconds.
Taking Seconds.
After taking the first bite,
there is the moment of immense flavor of new experience.
And after the second,
there is one of loss and gaining:
loss of the fresh beginnings on the tounge-
the gaining of fullness in yourself.
Matthew Koutzun
After taking the first bite,
there is the moment of immense flavor of new experience.
And after the second,
there is one of loss and gaining:
loss of the fresh beginnings on the tounge-
the gaining of fullness in yourself.
Matthew Koutzun
Sunday, May 27, 2007
Meal
Meal
I've realized that the hollow feeling inside me is not loneliness.
Just hunger.
No wonder I'm so skinny and my genitals are chaffed all over.
Matthew Koutzun
I've realized that the hollow feeling inside me is not loneliness.
Just hunger.
No wonder I'm so skinny and my genitals are chaffed all over.
Matthew Koutzun
Saturday, May 26, 2007
Pressed Against the Fourth Wall
Pressed Against the Fourth Wall
She sits and waits,
and entrevous he does.
He talks
and baits,
and she disconcerned waits.
And now she's up and about,
in a box- all blacked out;
timing will keep this game alive.
Now he yells
now he screams;
and drama: she does as well.
And he hits
and she slaps
and the audience all clap.
And she turns
and he does to
and they look at me and you.
And they stare
now they cry
and they run at the glass between them you and I.
And pressed against the fourth wall
they want out-
to be with us all.
To stop imaginary hates
and lonesome debates.
A hand on the glass;
red- white where pressure press.
-Matthew Koutzun
She sits and waits,
and entrevous he does.
He talks
and baits,
and she disconcerned waits.
And now she's up and about,
in a box- all blacked out;
timing will keep this game alive.
Now he yells
now he screams;
and drama: she does as well.
And he hits
and she slaps
and the audience all clap.
And she turns
and he does to
and they look at me and you.
And they stare
now they cry
and they run at the glass between them you and I.
And pressed against the fourth wall
they want out-
to be with us all.
To stop imaginary hates
and lonesome debates.
A hand on the glass;
red- white where pressure press.
-Matthew Koutzun
Thursday, May 03, 2007
Forcing to Keep
Forcing to Keep
I'm trying to relate
from somewhere between her thighs.
Taking, reaching in
such great highs.
I've punched through
and I've touched the child.
Caressed a face
soft and mild.
I've gotten my shoulder in
and I'm going to go all the friggin' way.
I don't care if it's wrong-
never cared what others say.
My head and torso
squeezed right into the moist deep.
She sighed sweetness
no sound of pain did she peep.
I'm kicking in the air
as my thighs press against hers
fighting to get in
skin in tears.
My feet in
I'm in with my boy.
He's cradled by my womb-
I know now why woman cry
when they give it away.
-Matthew Koutzun
I'm trying to relate
from somewhere between her thighs.
Taking, reaching in
such great highs.
I've punched through
and I've touched the child.
Caressed a face
soft and mild.
I've gotten my shoulder in
and I'm going to go all the friggin' way.
I don't care if it's wrong-
never cared what others say.
My head and torso
squeezed right into the moist deep.
She sighed sweetness
no sound of pain did she peep.
I'm kicking in the air
as my thighs press against hers
fighting to get in
skin in tears.
My feet in
I'm in with my boy.
He's cradled by my womb-
I know now why woman cry
when they give it away.
-Matthew Koutzun
Sunday, April 29, 2007
A Refusal of Reality
A Refusal of Reality
It's bubbling up again,
that feeling of antisipation
or rather
the sick taste of anxiety.
It comes to me in hot flashes
when the world sneaks up and
the face of faceless deeds shocks me into
deadline awareness,
of things that just have not been done
nor accomplished.
It's a hot coal bath of steam
and suffocation to my chest
as thoughts of non-completion
and scared compliance follow.
I have lots of time but still I know:
it seemed like that before.
Jump on now before the horse gets away.
Take me away horse-
that's what I've always wanted.
Wind in my face so I can breathe
and steady step, sure and shallow.
Open up pasture of precious peonies,
and let light leap from lazy days.
-Matthew Koutzun
It's bubbling up again,
that feeling of antisipation
or rather
the sick taste of anxiety.
It comes to me in hot flashes
when the world sneaks up and
the face of faceless deeds shocks me into
deadline awareness,
of things that just have not been done
nor accomplished.
It's a hot coal bath of steam
and suffocation to my chest
as thoughts of non-completion
and scared compliance follow.
I have lots of time but still I know:
it seemed like that before.
Jump on now before the horse gets away.
Take me away horse-
that's what I've always wanted.
Wind in my face so I can breathe
and steady step, sure and shallow.
Open up pasture of precious peonies,
and let light leap from lazy days.
-Matthew Koutzun
Thursday, April 12, 2007
Porcelain on Colour
Porcelain on Colour
A bed with light blue
and pastel yellow sheets
hiding and combing against skin.
Plush pillow
flattening flax hair
against brow and cheek.
Cool colour
and harsh light
luminosity to the extreme.
Bright trinkets
all in a row behind
a porcelain woman dry against them.
She looks to her
and her to she in bed
and they know their story.
-Matthew Koutzun
A bed with light blue
and pastel yellow sheets
hiding and combing against skin.
Plush pillow
flattening flax hair
against brow and cheek.
Cool colour
and harsh light
luminosity to the extreme.
Bright trinkets
all in a row behind
a porcelain woman dry against them.
She looks to her
and her to she in bed
and they know their story.
-Matthew Koutzun
Friday, March 30, 2007
I Know of a Place
I Know of a Place
I know of a place
where young men go
to hide their shame,
and if you love me
you'll make love to me there.
-Matthew Koutzun
I know of a place
where young men go
to hide their shame,
and if you love me
you'll make love to me there.
-Matthew Koutzun
I Know of a Place Where Young Men Go to Hide Their Shame: And if You Love Me You'll Make Love to Me There
I Know of a Place Where Young Men Go to Hide Their Shame:
And if You Love Me You'll Make Love to Me There
I know of a place
where young men go
to hide their shame.
My friend once told me that
he hid it in his big toe,
that if you slammed it hard enough
you'd see him cry-
not from the pain
but the guilt that would leak out.
I've looked for it there
and all I can find
is flesh
and more flesh
and further enough
you can reach the bone.
-Matthew Koutzun
And if You Love Me You'll Make Love to Me There
I know of a place
where young men go
to hide their shame.
My friend once told me that
he hid it in his big toe,
that if you slammed it hard enough
you'd see him cry-
not from the pain
but the guilt that would leak out.
I've looked for it there
and all I can find
is flesh
and more flesh
and further enough
you can reach the bone.
-Matthew Koutzun
Our Unknown Girl
Our Unknown Girl
There was a story of a girl they found
dead
in her apartment.
They said that she had been there for months
laying on a clean mattress
now dirty from the decay
and mold
and shit
rotting from her bones.
They found her because a woman had sad she smelt something
she had reported the smell almost two months before they checked.
The girl knew no one they said,
her neighbours didn't even know they had neighbour
and no family nor phone to call her with.
In a room
On a floor
In her own private hovel,
in a nice part of london.
The girl should have friends.
They cleaned her up-
tossed her out.
Buried,
or cremated-
who knows;
no one knew her.
All she had left was the mattress
and her laptop
plugged in
the screen fryed from months of pixels burning.
And the police took it
for a motive.
There might be something
the unknown girl left behind.
The girl with no one to know.
And they took out the hard drive
and connected it to another screen
and when they turned it on
everything from when she had stopped
was still working-
stopped in it's own tracks.
And what the police saw made them cry
and made them sick.
Hundreds of open little windows
with a million little chatters still chatting with her
some still talking,
others miffed had gone away.
Love interests,
companions,
friends,
no family.
She had them all by the ton
each one of them half way around the world.
The room had been 8 meters by 6,
but it held the earth once.
And on each little window
of the ones still typing
were more windows
and more people
and more windows
and more people looking through more windows
to find people on the other side-
halfway around the House.
And they reached in and caressed the heads
of wantons
of faggots
of housewives
of butchers,
of children
of fathers,
of players,
and of murderers.
And they found a full house all through one window,
turned it off
and walked away.
-Matthew Koutzun
There was a story of a girl they found
dead
in her apartment.
They said that she had been there for months
laying on a clean mattress
now dirty from the decay
and mold
and shit
rotting from her bones.
They found her because a woman had sad she smelt something
she had reported the smell almost two months before they checked.
The girl knew no one they said,
her neighbours didn't even know they had neighbour
and no family nor phone to call her with.
In a room
On a floor
In her own private hovel,
in a nice part of london.
The girl should have friends.
They cleaned her up-
tossed her out.
Buried,
or cremated-
who knows;
no one knew her.
All she had left was the mattress
and her laptop
plugged in
the screen fryed from months of pixels burning.
And the police took it
for a motive.
There might be something
the unknown girl left behind.
The girl with no one to know.
And they took out the hard drive
and connected it to another screen
and when they turned it on
everything from when she had stopped
was still working-
stopped in it's own tracks.
And what the police saw made them cry
and made them sick.
Hundreds of open little windows
with a million little chatters still chatting with her
some still talking,
others miffed had gone away.
Love interests,
companions,
friends,
no family.
She had them all by the ton
each one of them half way around the world.
The room had been 8 meters by 6,
but it held the earth once.
And on each little window
of the ones still typing
were more windows
and more people
and more windows
and more people looking through more windows
to find people on the other side-
halfway around the House.
And they reached in and caressed the heads
of wantons
of faggots
of housewives
of butchers,
of children
of fathers,
of players,
and of murderers.
And they found a full house all through one window,
turned it off
and walked away.
-Matthew Koutzun
Random nights again
Random nights again
I'm staying up late again
into the night
and closing my eyes for a moment
before they are open again
and I am hungry
or I want to be busy
or I want to talk
or to jump
or to just get some rest.
And my ears feel plugged
and the silence plugs them further,
and I stare at flouresant lights
and send off strange e-mails
or try to create connections where there are none.
I'm up later again,
and I can't locate
symptome to cause,
but the cough is gone
and I could very well sleep now
but I can't
and it feels like I'm waiting again,
I used to do this in high school
sit here waiting,
for something-
I don't know-
anything
or anyone
to occupy me
Fuck the connected generation
for communication and speaking with another
has left me lonely again.
-Matthew Koutzun
I'm staying up late again
into the night
and closing my eyes for a moment
before they are open again
and I am hungry
or I want to be busy
or I want to talk
or to jump
or to just get some rest.
And my ears feel plugged
and the silence plugs them further,
and I stare at flouresant lights
and send off strange e-mails
or try to create connections where there are none.
I'm up later again,
and I can't locate
symptome to cause,
but the cough is gone
and I could very well sleep now
but I can't
and it feels like I'm waiting again,
I used to do this in high school
sit here waiting,
for something-
I don't know-
anything
or anyone
to occupy me
Fuck the connected generation
for communication and speaking with another
has left me lonely again.
-Matthew Koutzun
Saturday, March 24, 2007
Untitled Confession
Untitled Confession
I had a dream about you last night-
I have to tell you
because I find it perverse not to.
I debated all day whether to
but I thought it was nessecary.
I feel I should
because it's like one of those feelings
that makes your insides all mush
without the feeling of being sick.
All that happened was you won an award.
I don't know what came before or after this fact-
but it's the only one I can remember now.
You beat the human race,
or won the game of life;
congratulations on your belated happiness.
-Matthew Koutzun
I had a dream about you last night-
I have to tell you
because I find it perverse not to.
I debated all day whether to
but I thought it was nessecary.
I feel I should
because it's like one of those feelings
that makes your insides all mush
without the feeling of being sick.
All that happened was you won an award.
I don't know what came before or after this fact-
but it's the only one I can remember now.
You beat the human race,
or won the game of life;
congratulations on your belated happiness.
-Matthew Koutzun
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